Bede’s Buffoonery Spiral
Vampire’s Kiss, a spooky playlist, oatmeal, something useful, and Curses!
Read the complete issue as text
01 / Cover
No. 01 October 2026
BuffooneryBede’s
Spiral
Samhain
a ring,a spookyplaylist, a recipe,
a resource, anessayand a smallspell
02 / Vampire’s Kiss artwork
bede’s buffoonery spiral / samhain
03 / Vampire’s Kiss
a ring
Vampire’s Kiss
Vampires Kiss is my new pain stim ring, made with
faceted Czech crystal glass beads and sterling’
silver links that I form by hand.
This ring rolls up and down the finger with some
resistance and some fluidity and gives a little bite
when needed. I have found it helps redirect my skin
picking. Available in a range of colors.
The beads sit between small loops of hand-shaped
silver, like a little crown for your fingers; the open
links let the light through to illuminate the glass.
See Vampire’s Kiss ↗
bede.club 03
04 / Spooky playlist
music / thin veil season
spooky
spook, black cat, funeral home,
little vampire girl. a playlist to
enjoy this thin veil season, with
friends or foe both animal, devil,
and/or non corporeal.
Listen on Apple Music ↗
Listen on YouTube ↗
Bede’s Buffoonery Spiral 05
05 / Spooky artwork
Bede’s Buffoonery Spiral 04
06 / Oatmeal ingredients
oatmeal
Batch cookbreakfast for the next two
weeks. A delicious and nutritious safe food
without having to plan and cook breakfast
every day.
oats, blueberries, carrots, ginger,
cardamom. a breakfast gift to future me :)
recipe (about 14 one-cup portions):
4 cups rolled oats
4 cups whole milk
4 cups unsweetened almond milk
4 sliced bananas
4 cups frozen blueberries
2 apples, cored
3-4 carrots
about 1/2 lb fresh ginger, then peeled
1/2 cup ground flaxseed
1/2 cup chia seeds
ground ginger, generous cardamom and
pumpkin pie spice
Bede’s Buffoonery Spiral 06
07 / Oatmeal artwork
oatmeal / about 14 one-cup portions
Bede’s Buffoonery Spiral 07
08 / Oatmeal recipe
food-processor shortcut: double the apples,
carrots and fresh ginger (4 apples, 6-8
carrots, about 1 lb ginger). use half the
mixture now and freeze half for the next
batch.
add everything except toppings
to the slow cooker. i use Low
on the 8- hour setting, usually
stop earlier, and stir a few
times. portion and freeze,
keeping a few portions in the
fridge. You can also make this
in a pot on the stove, just
needs low heat for a while
until it seems done.
reheat one bowl, then add walnuts, hemp
seeds, optional rose water and fresh
strawberries. those toppings go into the
bowl, not the batch.
Artwork / Hand holding a candle
A hand wearing beaded rings holds a brass candlestick with a yellow candle.
09 / Something useful
something useful
to take with you
people asked about the page i take to
medical appointments, so i made a
blank version you can download.
there's a printable PDF and an
editable Word version. To help you
stay organized and grounded and
advocate for yourself in medical
appointments.
Get the free Visit Summary ↗
Bede’s Buffoonery Spiral 08
10 / Visit Summary
no purchase or email signup
Visit Summary
Printable PDF ↗
Editable Word version ↗
Bede’s Buffoonery Spiral 09
11 / Curses artwork
an essay and a small spell
Curses!
A small spell for lifting an
inherited curse
Persian manuscript of magic and astrology, 1921.
Princeton University Library,
via The Public Domain Review ↗
Bede’s Buffoonery Spiral 10
12 / Curses: family inheritance
curses! / diva dompé
I have been doing Internal Family Systems work with
my therapist, and lately we have been focusing on
complex PTSD. This process has me working through
intergenerational trauma, something I am sure
many other neurodivergent folks can relate to.
I can see ways trauma has travelled through my
family, along with patterns of behavior and,
sometimes, similar tragedies. Autism also runs in
families, and many autistic adults have only been
recognized recently. I sometimes wonder how many
people in previous generations were neurodivergent
without ever having language for it, and what kinds
of protection, damage and misunderstanding
accumulated around them.
Bede’s Buffoonery Spiral 11
13 / Curses: ancestors
People have found many ways of continuing a
relationship with their dead. My family lineage is
Italian and British. In parts of Italy, families left
food or an empty place at the table for
returning souls. In England, people made soul
cakes around All Souls’ Day. Visitors, children or
poorer neighbors received the cakes in exchange
for prayers for the household’s dead. In both
cases, food passed between the living and the
dead.
In these traditions, the ancestors were still part
of the household. They could be remembered,
fed, prayed for and given some rest.
I keep thinking about the parallel. The dead
remain present through stories, objects and
ritual. Family patterns remain present through
bodies, habits and beliefs. Both can haunt a
house long after their beginning has been
forgotten.
Bede’s Buffoonery Spiral 12
14 / Curses: inherited stories
I love thinking about the range of technologies
humans invent for living. IFS is a psychological
technology, but art, ritual, folklore and mythology
are technologies too. They help us give form to
things we can feel but cannot always explain.
My All Souls’ Day ancestor altar.
Photograph: Diva.
I wonder whether the family curse was an early way
of talking about and processing intergenerational
trauma. Trauma can pass through families in many
observable ways, including caregiving, learned
behavior, secrecy, poverty and chronic stress. The
science of trauma-related epigenetic inheritance in
humans is still unsettled. But the idea that a family
can inherit an unfinished story is very old.
Bede’s Buffoonery Spiral 13
15 / Curses: Oresteia
One of the oldest surviving versions appears in
Aeschylus’s Oresteia, a trilogy of Greek plays about
the cursed House of Atreus. Generation after
generation repeats a cycle of betrayal, murder and
revenge. By the final play, Orestes is being pursued
by the Furies, ancient beings whose job is to punish
crimes within families.
What interests me is that the story does not
end with the Furies being killed or banished.
Athena hears their anger and offers them a
permanent place of honor in Athens. They
accept a new role and become the
Eumenides, the Kindly Ones. Scholars disagree
about whether this ending represents true
transformation, political compromise or the
subordination of an older power. Still, I am
struck by its basic shape: the terrifying thing
is given hospitality, and its purpose changes.
Bouguereau / Orestes Pursued by the Furies,
Bede’s Buffoonery Spiral 1862. 14
16 / Curses: ritual and IFS
This feels surprisingly close to IFS. When a
frightening or destructive part appears, you do not
drive it out. You approach it without judgment and
become curious about the work it has been doing.
Often it began as protection. It may still be living
in an earlier emergency, performing a job that is no
longer needed. It may not even belong to you in the
first place.
Python / Eumenides scene, 4th century
BCE.
Some rituals follow a similar shape. You make a
place at the table. You offer water, bread, light
or attention. You acknowledge the thing that has
been haunting the family. The ritual gives the body
and imagination a way to encounter an inheritance
and change the relationship. 15
17 / Curses: household rituals
While researching actual curse-breaking and
household rituals, I found some specific elements
from regions in my family lineage. A folklore record
from Gambasca (in Italian), in the province of
Cuneo, describes boiling clothes believed to carry a
maleficio and carrying a little bag of salt for
protection. The same source describes striking
heated stable chains against the ground to expose
the masca believed to be responsible.
Sound also appears in Ovid’s description of the
Roman Lemuria, a household rite for troubling
dead. After washing his hands and casting black
beans behind him without looking back, the
householder struck bronze and asked the ancestral
shades to leave. The Cuneese chains and Roman
bronze belong to different times and rituals, but
both use sound to change the space and mark a
boundary.
Bede’s Buffoonery Spiral 16
18 / Curses: closing
curses! / diva dompé
Ritual can also become frightening or compulsive,
and I don’t see it as a substitute for therapy,
material change or safety. But used with some
grounding and flexibility, it can give physical form
to an internal process.
Alongside my therapy work, I have decided to
experiment with curse-lifting rituals, working on the
same inheritance in two parallel realms.
Bede comes from an Old English word connected to
both bead and prayer. It feels right that this
ritual leaves you with a small object to wear, carry
or hold.
A ghost from Spectropia / optical illusions, p. 31.
Bede’s Buffoonery Spiral 17
19 / A small spell
curses! / a contemporary ritual
A small spell
for lifting an
inherited curse
This is a contemporary ritual, not a historical spell
passed down intact. The food and empty place draw
from Italian customs of leaving food for the dead and
English souling, in which cakes were given in exchange
for prayers for the departed. The fabric and salt
echo counter-charms recorded in Piedmont, but the
wrapping, unwinding, washing and charm are my own
additions. The closing sound nods to Ovid’s
description of the Roman Lemuria and to the striking
of chains in Piedmontese counter-magic.
Bede’s Buffoonery Spiral 18
20 / You will need
a small spell / materials
You will need:
a small piece of bread or cake, or any
ancestral food. I make toad in the
hole sometimes!
a cup of water
a bowl of water, with a little salt if
your materials can safely tolerate it
a piece of fabric, ribbon or thread
that belongs to you
a small object you can keep, such as a
stone, bead or charm
scissors
a candle, if fire feels safe and
pleasant
a bell, if you want one, or anything
else that makes a sound. This can also
be you.
Bede’s Buffoonery Spiral 19
21 / The spell: unwinding
a small spell / unwinding
At dusk, set the food and cup of water at
an empty place. Light the candle, if you
are using one.
Wrap the fabric or ribbon around the stone, bead
or charm. It does not need to look beautiful or form
any particular number of knots. Let it become
tangled.
Place the wrapped object into the bowl of water. If
the object should not get wet, hold it above the
bowl instead and let the fabric fall into the water
as you unwind it.
Slowly unwind the fabric. Feel its drag against your
fingers and the weight of the object underneath it.
If you reach a knot, cut through it. The ritual is not
a test of your ability to untangle things.
Let the loose fabric fall into the bowl. Wash the
object in the water, or wipe it with a damp cloth,
until it is bare.
Bede’s Buffoonery Spiral 20
22 / The spell: words
a small spell / words
Hold it and say:
“May the dead be fed and at rest.
May the past return to its proper
place.
May what is mine return to me.
This curse is lifted.”
Leave the food and water at the empty place for
as long as feels right. If you lit a candle, stay with
it and extinguish it before leaving the room. It
does not need to burn down.
When you are ready to close the ritual, thank the
dead for their place at the table. Ring a bell or
make one chosen sound.
Bede’s Buffoonery Spiral 21
23 / The spell: closing
a small spell / closing
If the food is still safe, eat it or share it. They
have been served first. If you want the offering to
remain separate, compost what can be composted
and discard the rest.
Pour the cup of plain water into the earth or down
the drain. Pour salt water down the drain with
some fresh water rather than onto plants.
The fabric can be dried and kept, discarded, or
composted if it is an untreated natural fibre.
Keep the washed object. Carry it in a pocket, wear
it or place it somewhere you will touch it.
Bede’s Buffoonery Spiral 22
24 / Sources and credits
no. 01 / samhain / october 2026
sources & credits
English Heritage / soul cakes ↗
Aeschylus / Eumenides ↗
Gambasca / anti-masche remedies (in Italian) ↗
Ovid / Fasti, Book V ↗
The Public Domain Review / Persian manuscript, 1921 ↗
Persian manuscript illustration: Princeton University Library, via The Public
Domain Review.
Art via Wikimedia Commons, public domain: souling, St. Nicholas (1882);
Bouguereau, Orestes Pursued by the Furies (1862); Python, Eumenides
scene (4th century BCE); Spectropia, p. 31, engraving by John Filmer.
Resized and print-treated.
Ancestor altar photograph: Diva.
Paper textures: Indieground Design.
Collage artwork: Diva’s curated public-domain library / source notes ↗
Diva / Bede
Bede’s Buffoonery Spiral 23
- https://www.english-heritage.org.uk/halloween/soul-cakes/
- https://www.theoi.com/Text/AeschylusEumenides.html
- https://comune.gambasca.cn.it/pagine/4/Antichi-rimedi-popolari-anti-masche
- https://www.theoi.com/Text/OvidFasti5.html
- https://publicdomainreview.org/collection/persian-demons-from-a-book-of-magic-and-astrology-1921
- https://commons.wikimedia.org/wiki/File:Souling_on_Halloween.png
- https://commons.wikimedia.org/wiki/File:Orestes_Pursued_by_the_Furies_by_William-Adolphe_Bouguereau_(1862)_-_Google_Art_Project.jpg
- https://commons.wikimedia.org/wiki/File:Theatre_scene_painted_by_Python,_ancient_Greek_vase_painter.jpg
- https://commons.wikimedia.org/wiki/File:Spectropia,_or,_Surprising_spectral_illusions_pg_31.jpg
25 / Back cover
Bede’s
Buffoonery
Spiral
No. 01 / Samhain / October 2026
bede.club ↗